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The Father Brown stories follow a format developed in the nineteenth century for readers of the new mass-circulation magazines. They often fail to appreciate Chesterton's work within the framework of this literary form. Similarly, few students of Chesterton are mystery story enthusiasts, and fewer still are conversant with scholarship on the detective genre. These critics react to Chesterton's moral and political ideas as if they were an intrusion of irrelevant propaganda. For example, not many who are experts in the field of detective fiction understand Chesterton as a philosopher. Part of the problem is that Chesterton's stories resist analysis from the specialist's point of view. Truly, these critics are so at odds with one another that often they do not seem to be discussing the same stories. Yet after literally hundreds of commentators have had their say, there is still no consensus about what his achievement was or in what ways Father Brown is significant. Nearly everyone agrees that Chesterton achieved something extraordinary with his Father Brown stories.
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